TThNNE/UIa7SZ1_btI/AAAAAAAAAzI/E4tCmRF7OBU/s640/MalcolmMontuno1.png' alt='Salsa And Afro Cuban Montunos For Piano Pdf Notes' title='Salsa And Afro Cuban Montunos For Piano Pdf Notes' />Salsa music Wikipedia. Conga drums, one of the foundational instruments of salsa music. Salsa music is a popular dance music that initially arose in New York City during the 1. Salsa is the product of various musical genres including the Cuban son montuno, guaracha, cha cha ch, mambo, and to a certain extent bolero, and the Puerto Rican bomba and plena. Latin jazz, which was also developed in New York City, has had a significant influence on salsa arrangers, piano guajeos, and instrumental soloists. Salsa is primarily Cuban son, itself a fusion of Spanishcancin and guitar and Afro Cuban percussion, merged with North American music styles such as jazz. Salsa also occasionally incorporates elements of rock, R B, and funk. All of these non Cuban elements are grafted onto the basic Cuban son montuno template when performed within the context of salsa. The first salsa bands were predominantly Cubans, Puerto Ricans, and Dominicans who moved to New York since 1. The music eventually spread throughout Colombia and the rest of the Americas. Ultimately, it became a global phenomenon. Some of the founding salsa artists were Dominican singer Johnny Pacheco the creator of the Fania All Stars, Celia Cruz, Ray Barretto, Rubn Blades, Willie Coln, Larry Harlow, Roberto Roena, Bobby Valentn, Eddie Palmieri, and Hctor Lavoe. Salsa as a musical termeditSalsa means sauce in the Spanish language, and carries connotations of the spiciness common in Latin and Caribbean cuisine. In the 2. 0th century, salsa acquired a musical meaning in both English and Spanish. In this sense salsa has been described as a word with vivid associations. Cubans and Puerto Ricans in New York have used the term analogously to swing or soul music. In this usage salsa connotes a frenzied, hot and wild musical experience that draws upon or reflects elements of Latin culture, regardless of the style. Various music writers and historians have traced the use of salsa to different periods of the 2. Max Salazar traces the word back to the early 1. Ignacio Pieiro composed chale salsita, a Cuban son protesting tasteless food. While Salazar describes this song as the origin of salsa meaning danceable Latin music, Ed Morales describes the usage in the same song as a cry from Pieiro to his band, telling them to increase the tempo to put the dancers into high gear. Istumbler Windows'>Istumbler Windows. Morales claims that later in the 1. Beny Mor would shout salsa during a performance to acknowledge a musical moments heat, to express a kind of cultural nationalist sloganeering and to celebrate the hotness or spiciness of Latin American cultures. World music author Sue Steward claims salsa was originally used in music as a cry of appreciation for a particularly piquant or flashy solo. She cites the first use in this manner to a Venezuelan radio DJ named Phidias Danilo Escalona 1. Salsa music is a popular dance music that initially arose in New York City during the 1960s. Salsa is the product of various musical genres including the Cuban son. TEACH YOURSELF TO PLAY ACCORDION. All notes in treble clef see page 11 are played by your right hand on the keyboard. The fingers of the right hand are. La musique cubaine est la musique rsultante dun mtissage complexe entre des musiques autochtones, et dautres venues dEurope, dAfrique, dAsie et du continent. AfroCuban jazz is the earliest form of Latin jazz. It mixes AfroCuban clavebased rhythms with jazz harmonies and techniques of improvisation. THE ROOTS AND EVOLUTION OF NEW YORK SALSA MUSIC AND ON 2 MAMBO Here are some very interesting articles on how our contemporary New York salsa music, and our On 2. In 1. 95. 5 Cheo Marquetti created a new band called Conjunto Los Salseros and recorded some new songs Sonero and Que no muera el son. In 1. 95. 5 Jos Curbelo recorded some others salsa songs La familia, La la la and Sun sun sun ba bae. The contemporary meaning of salsa as a musical genre can be traced back to New York City Latin music promoter Izzy Sanabria 2. In 1. 97. 3, I hosted the television show Salsa which was the first reference to this particular music as salsa. I was using the term salsa, but the music wasnt defined by that. The music was still defined as Latin music. And that was a very, very broad category, because it even includes mariachi music. Bellows Calculation Software. It includes everything. So salsa defined this particular type of music. Its a name that everyone could pronounce. Sanabrias Latin New York magazine was an English language publication. Consequently, his promoted events were covered in The New York Times, as well as Time and Newsweek magazines. They reported on this new phenomenon taking New York by stormsalsa. But promotion certainly wasnt the only factor in the musics success, as Sanabria makes clear Musicians were busy creating the music but played no role in promoting the name salsa. Johnny Pacheco, the creative director and producer of Fania Records, molded New York salsa into a tight, polished and commercially successful sound. The unprecedented appeal of New York salsa, particularly the Fania sound, led to its adoption across Latin America and elsewhere. Globally, the term salsa has eclipsed the original names of the various Cuban musical genres it encompasses. Ironically, Cuban based music was promoted more effectively worldwide in the 1. Cuba. For a brief time in the early 1. Cuban musicians embraced the term, calling their own music salsa Cubana. The practice did not catch on however. Issues of identity and ownershipeditThere is considerable controversy surrounding the term salsa and the idea that it is its own distinct genre. Several New York musicians who had already been performing Cuban dance music for decades when salsa was popularized initially scoffed at the term. For example, Cuban born Machito declared Theres nothing new about salsa, it is just the same old music that was played in Cuba for over fifty years. Similarly, New York native Tito Puente stated The only salsa I know is sold in a bottle called ketchup. I play Cuban music. Eventually though, both Machito and Puente embraced the term as a financial necessity. The salsa conflict can be summarized as a disagreement between those who do not recognize salsa as anything other than Cuban music with another name,1. Cuban primogenitor. The concept of salsa music which began as a marketing ploy created by Izzy Sanabria was successfully exploited by Fania Records, then eventually took on a life of its own, organically evolving into an authentic pan Latin American cultural identity. Love Chess 2-Age Of Egypt. Music professor and salsa trombonist Christopher Washburne writes This pan Latino association of salsa stems from what Felix Padilla labels a Latinizing process that occurred in the 1. Fania Records To Fania, the Latinizing of salsa came to mean homogenizing the product, presenting an all embracing Puerto Rican, Pan American or Latino sound with which the people from all of Latin America and Spanish speaking communities in the United States could identify and purchase. Motivated primarily by economic factors, Fanias push for countries throughout Latin America to embrace salsa did result in an expanded market. But in addition, throughout the 1. Colombia, the Dominican Republic, and Venezuela, among other Latin American nations, emerged, composing and performing music that related to their own specific cultural experiences and affiliations, which posited salsa as a cultural identity marker for those nations as well. The Cuban origins of the music do not conveniently fit into the pan Latino narrative. Many leading salsa artists have described salsa in broad and inclusive, but vague terms, making no mention of the musics Cuban foundation. For example, Johnny Pacheco has consistently articulated a vision of salsa as a broad, multi ethnic movement Salsa was, and still is, a Caribbean musical movement. Similarly, Willie Coln sees the scope of salsas power to unite in the broadest terms Salsa was the force that united diverse Latino and other non Latino racial and ethnic groups. It is a concept. An open, ever evolving musical, cultural, socio political concept.